{"id":608,"date":"2012-04-27T05:34:36","date_gmt":"2012-04-27T05:34:36","guid":{"rendered":"http:\/\/www.oert.org\/?p=608"},"modified":"2023-01-27T23:42:12","modified_gmt":"2023-01-27T23:42:12","slug":"xviith-xviiith-and-xixth-centuries","status":"publish","type":"post","link":"https:\/\/www.oert.org\/en\/xviith-xviiith-and-xixth-centuries\/","title":{"rendered":"XVIIth, XVIIIth and XIXth Centuries"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>Broadening of subjects and audience. XVIIth century production in the Netherlands and France. XVIIIth century production in England and Italy. Diversification of the material printed in the XIXth century.\u2028Typography mechanization: pantograph, linotype and monotype. Lithography. Private printing presses.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"_links":{"self":[{"href":"https:\/\/www.oert.org\/en\/wp-json\/wp\/v2\/posts\/608"}],"collection":[{"href":"https:\/\/www.oert.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.oert.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.oert.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.oert.org\/en\/wp-json\/wp\/v2\/comments?post=608"}],"version-history":[{"count":0,"href":"https:\/\/www.oert.org\/en\/wp-json\/wp\/v2\/posts\/608\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.oert.org\/en\/wp-json\/wp\/v2\/media?parent=608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.oert.org\/en\/wp-json\/wp\/v2\/categories?post=608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.oert.org\/en\/wp-json\/wp\/v2\/tags?post=608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}